Mystery in the Street
Publicity, it is what New York City
is about, very few cities around the world can rival what New York City brings
to projected commercialization and publicity. The painting on display by Robert
Polidori titled “Looking East, 42nd Street , New York” helps demonstrate
this very poignantly. New York City has grandeur about it, at the very core of
its existence. It does not need any explanation of where or what it is and this
is how commercialization/publicity is so easily garnered and given in the city.
Within the painting, publicity,
commercialization, all help create an air of mystery within the painting, the
combination helps create a dynamic piece of art that translates the past and
present and moves it to the future.
In the painting the artist does not
need to tell why the city is magnificent, instead he lets the viewer get
engrossed into the painting. To
look in depth at the piece, one can see a city street that is not yet bustling,
that the morning light is just reaching over into the streets. A large inconspicuous
clock helps show that its 8:15 in the morning and soon the city street will
awaken leading to new adventures and discoveries for every individual to travel
down the well worn street. The skyscrapers that seem to tower above the
streets, the elongated billboards that rise towards the sky, the long road that
seems to never end. All of these help prove a point in Berger’s text with “the
treatment of distance by perspective – offering mystery” (138). The very
essence of mystery helps entrance the eye of the viewer, looking, digesting and
ultimately taking meaning from the piece.
Further adding layers to this piece
is that with the multiple examples of commercialization, one can see that
capital is a very important part of any culture. Without capital one can not live
life to its fullest extent. In this piece the billboards that promote beauty
and even cartoons (such as Daffy Duck) help promote this ideal. Yes it is true
that money is what allows for individuals to live daily, but according to
Berger, one can see that capital can be viewed as “is the token of, and the key
to, every human capacity” (143). If an individual were to view this piece it
could be assumed that as they looked down the street, they would know that
having money would help further their exploration of the mystery that is the
distance of 42nd street. Maybe they would be able to acquire an item
with Daffy Duck, maybe have an exquisite meal on the famous streets of New
York. All of this made possible with capital, and the mystery of what lies
beyond. Mystery helps drive individuals to discover and without the means to
discover they would never do such a course of action. Later in the text written
by Berger “Ways of Seeing” he clearly states this concept as saying, “Publicity
speaks in the future tense and yet the achievement of this future is endlessly
deferred.” (146). What better
place in America and possibly the world to discover the mysteries that lay
beyond?
Works
Cited
Berger, John. Ways of Seeing.
London: British Broadcasting, 1972. Print.
Polidori, Robert. Looking East, 42nd Street, New York. 2002. Photograph. Fine Arts Center, Colorado Springs, CO.
Polidori, Robert. Looking East, 42nd Street, New York. 2002. Photograph. Fine Arts Center, Colorado Springs, CO.
Capital as “the token of, and the key to, every human capacity.” A very poignant reminder of what drives our society.
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